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Get to know me better

In a world of constant noise and chaos, I find solace in the serene and tranquil. My art reflects this sense of calm, but with a vibrancy that cannot be ignored. My work is light and polite, a gentle reminder to pause and appreciate the beauty in the world around us.

As an artist, I am constantly exploring new mediums and techniques, diving fearlessly into the ocean of new media that surrounds us. Yet, I also draw inspiration from the tried and true practices of the past. I believe that there is a certain magic to be found in the classics, and I strive to incorporate these time-honored techniques into my work.

Education:

St. Petersburg State University of Cinema and TV, Director of Interactive Media

Eszterházy Károly Főiskola, Hungary – Arts, Cinema, Web

Exhibitions & Events list:

2024 – Best 360 film “Dance of Life“ at Cine Paris Film Festival

2024 – AI film “Dreamscape Descent“ Nomenee at Cannes World Film Festival

2023 – Best experimental film “Distance to the Moon” at New York Cinematography AWARDS (NYCA)

2023 – Best NTN demo(s) within NTN domain at Mobile World Congress

2023 – “Distance to the Moon” at Kosice International Film Festival

2023 – “Distance to the Moon” at Lift-Off Sessions 2023 @Pinewod Studios

2023 – “Distance to the Moon” at FESTIVAL ANGAELICA

2022 – “Gradient of Schizophrenia” at “Reverse perspective of war: Art for Sanity”, Budapest, Hungary

2022 – personal exhibition “Distance to the Moon” with live dance performance at Kastner Kommunity, Budapest, Hungary

2022 – “Eye on the riffs” at “Freedom for free” exhibition, Rome, Italy

2021 – “Passion diptych” at Likkle Gallery, Queens, New York

2020 – JANUS online exhibition with “Crying king”

2018 – Average Art magazine, Great Britain  published painting “Crying king”

2017 – Contemporary Venice, Venice, Italy with “StereoDance”

2017 – Wild Art exhibition, Budapest with videoart “Crying king” and “Pink Spot”

2016 – Brural Crossroads, New York with interactive documentary “Mine Towns”

2015 – Hungarian National Museum, Budapest with interactive project “Nézz körül!”

2014 – Busho Film Festival, Budapest in the category Experimental with work “StereoDance”

2014 – festival Multimatograf, Russia with videoart “StereoDance”

2014 –  MOME University of Art and Design, Budapest, Hungary – protection of interactive project “Wonder Around”

2014 –  “New Aesthetics: The constancy of the internal principles ” in NCAA Yekaterinburg with diptych “Stereo Dance / Walk”

from September 2013 – resident in TechLab MOME University of Art and Design, Budapest

2013 – Grass Design Week, design-factory Flacon, Moscow with project “Look into your heart this day”

2012 – presented interactive project “Look into your heart this day” in Moholy-Nagy University of Art and Design Budapest

2012 – Digital Media Arts Forum, St. Petersburg with lecture “Interactive narrative installations”.

2012 – XIII “Media Forum” 34 Moscow International Film Festival, presented interactive projects “Lenin” and “Jump” in workshop “Interactive cinema” by Chris Hales

2011 – Agria Media 2011 Information and Education Technology Conference International Conference on Information

  • HAPPY HOLIDAYS! 
See you next year in January at FUTURE FUSION 💫

FUTURE FUSION Art. Branding. Creative Technology.The tools, the vision, and the inspiration you need to elevate your creative game.
What to expect?
Learn by doing: Real-world creative projects.
Master the tools: MidJourney, Unity, Canva, and more.
Think creatively: Go beyond traditional media.
Build your brand: Practical techniques for design innovation.
📍 Where: Kastner Kommunity 
📅 When: Every Monday, starting January 13, 2025 | 18:30–20:30
Join Maria Gyarmati, Art Director and Interactive Media Artist, to explore how art can transform branding.
 Sign up here: https://lnkd.in/dJmwRrs4

#FutureFusion #CreativeBranding #ArtAndTech #DesignInnovation #LearnByDoing

#creativeprocess #behindthescenes #creativetechnology #artificialintelligence #modernart #augmentedreality #aiworkshop #brandstorytelling #futurefusion
  • FUTURE FUSION is here! 
Art. Branding. Creative Technology.
The tools, the vision, and the inspiration you need to elevate your creative game.
What to expect?
* Learn by doing: Real-world creative projects.
* Master the tools: MidJourney, Unity, Canva, and more.
* Think creatively: Go beyond traditional media.
* Build your brand: Practical techniques for design innovation.
📍 Where: Kastner Kommunity
📅 When: Every Monday, starting January 13, 2025 | 18:30–20:30
Join Maria Gyarmati, Art Director and Interactive Media Artist, to explore how art can transform branding.
 Sign up now—creativity is everywhere!✨
Scan the QR code or hit the link in bio 🔗
#FutureFusion #CreativeBranding #ArtAndTech #DesignInnovation #LearnByDoing
  • Hey there! I’m here at Kastner Kommunity in Budapest, the cozy, creative space where my upcoming workshop Future Fusion: Art, Branding, and Creative Technology will take place.

This isn’t your typical course – it’s a laid-back, hands-on dive into how creativity can redefine branding. We’ll explore how brands like Gucci, Nike, and Absolut use art to stand out and learn how you can apply these ideas to your projects.

Whether you’re a designer, marketer, or just curious about creative thinking, this course will inspire you.

Seats are limited, so sign up now – let’s create something extraordinary together!

#creativeprocess #creativetechnology #behindthescenes #artificialintelligence #aiworkshop #creativetechnology #modernart #augmentedreality #contemporaryart #brandstorytelling #futurefusion #ArtWorkshops, #CreativeBranding, #FutureFusion
 #CreativityEverywhere, #BrandIdentity, #DesignThinking, #BudapestEvents, #CreativeWorkshops
 #BudapestCreatives, #KastnerKommunity, #BudapestCafeEvents
  • Registration is Now Open for the Future Fusion Workshop Series

Join a workshop series designed to explore the intersection of art, branding, and creative technology, led by Maria Gyarmati. Gain practical skills, learn from real-world case studies, and work with industry tools.

What You’ll Learn:

	•	Art as Branding Identity – Insights from Gucci and Absolut Vodka campaigns.
	•	AR and Interactive Experiences – Create AR campaigns using tools like Lens Studio.
	•	Video Storytelling – Develop brand narratives inspired by Nike and Apple.
	•	AI for Creative Inspiration – Use AI tools like Midjourney to enhance your work.

Details:

	•	Location: Kastner Community, centrally located and creatively inspiring.
	•	Dates: January 13, 20, 27 & February 3 (18:30–20:30).
	•	Participants: Limited to 40 seats.
	•	Fees:
	•	6000 HUF per session (online booking)
	•	7000 HUF per session (cash on the spot)
	•	22,000 HUF for the full course (non-refundable)

How to Register:
Sign up via the link in bio or scan the QR code in the image.

Secure your spot and get started on transforming your creative and branding skills.

#FutureFusion #ArtAndBranding #CreativeTechnology #BrandStorytelling
  • Get Ready for Future Fusion: Registration Opens Soon! 

Exciting news! We’re gearing up to open registration for the Future Fusion: Art, Branding, and Creative Technology workshop series in the Kastner Kommunity.

🌟 What’s in Store:

	•	Art as Branding Identity: Discover how iconic brands like Gucci and Absolut Vodka use art to stand out.
	•	AR and Interactive Experiences: Learn to craft immersive campaigns with tools like Lens Studio and Unity.
	•	Video Storytelling: Create compelling brand narratives inspired by Nike and Apple.
	•	AI for Creative Inspiration: Explore tools like Midjourney and Canva to elevate your brand’s creative potential.

💻 Where: Kastner Kommunity
📅 When: Starts January 2024
🎟️ Registration Opens Next Week!

✨ Why Join?
This series is perfect for entrepreneurs, marketers, and creatives looking to transform their branding strategies. With hands-on practice, real-world case studies, and cutting-edge tools, this is your chance to kick off 2025 with a creative edge.

👉 Keep an eye out—registration opens soon!

Let’s make 2025 your most innovative year yet. Stay tuned for updates and be ready to secure your spot!

#CreativeBranding #FutureFusion #ArtInBranding #AIForCreatives #BrandStorytelling
  • We finally got our certificate 💫🤍 so now officially I’m excited to announce that our 360-degree immersive video «Snippets 1» won Best Virtual Reality/360º Film at the Barcelona Planet Film Festival!
This project is a collaborative exploration of poetry, dance, and digital art, combining the unique talents of a poet, a dancer, and myself as co-director and AI artist. I had the privilege of filming, building the video, and generating the soundtrack, pushing the boundaries of immersive storytelling.
Proud to see «Snippets 1» recognized on this stage—thank you to my collaborators and the festival!
#VirtualReality #AIArt #360Film #CreativeInnovation
  • Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
  • It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
  • We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
HAPPY HOLIDAYS! See you next year in January at FUTURE FUSION 💫 FUTURE FUSION Art. Branding. Creative Technology.The tools, the vision, and the inspiration you need to elevate your creative game. What to expect? Learn by doing: Real-world creative projects. Master the tools: MidJourney, Unity, Canva, and more. Think creatively: Go beyond traditional media. Build your brand: Practical techniques for design innovation. 📍 Where: Kastner Kommunity 📅 When: Every Monday, starting January 13, 2025 | 18:30–20:30 Join Maria Gyarmati, Art Director and Interactive Media Artist, to explore how art can transform branding. Sign up here: https://lnkd.in/dJmwRrs4 #FutureFusion #CreativeBranding #ArtAndTech #DesignInnovation #LearnByDoing #creativeprocess #behindthescenes #creativetechnology #artificialintelligence #modernart #augmentedreality #aiworkshop #brandstorytelling #futurefusion
2 days ago
View on Instagram |
1/9
FUTURE FUSION is here! 
Art. Branding. Creative Technology.
The tools, the vision, and the inspiration you need to elevate your creative game. What to expect? * Learn by doing: Real-world creative projects. * Master the tools: MidJourney, Unity, Canva, and more. * Think creatively: Go beyond traditional media. * Build your brand: Practical techniques for design innovation. 📍 Where: Kastner Kommunity
📅 When: Every Monday, starting January 13, 2025 | 18:30–20:30 Join Maria Gyarmati, Art Director and Interactive Media Artist, to explore how art can transform branding. Sign up now—creativity is everywhere!✨
Scan the QR code or hit the link in bio 🔗 #FutureFusion #CreativeBranding #ArtAndTech #DesignInnovation #LearnByDoing
1 week ago
View on Instagram |
2/9
Hey there! I’m here at Kastner Kommunity in Budapest, the cozy, creative space where my upcoming workshop Future Fusion: Art, Branding, and Creative Technology will take place. This isn’t your typical course – it’s a laid-back, hands-on dive into how creativity can redefine branding. We’ll explore how brands like Gucci, Nike, and Absolut use art to stand out and learn how you can apply these ideas to your projects. Whether you’re a designer, marketer, or just curious about creative thinking, this course will inspire you. Seats are limited, so sign up now – let’s create something extraordinary together! #creativeprocess #creativetechnology #behindthescenes #artificialintelligence #aiworkshop #creativetechnology #modernart #augmentedreality #contemporaryart #brandstorytelling #futurefusion #ArtWorkshops, #CreativeBranding, #FutureFusion #CreativityEverywhere, #BrandIdentity, #DesignThinking, #BudapestEvents, #CreativeWorkshops #BudapestCreatives, #KastnerKommunity, #BudapestCafeEvents
1 week ago
View on Instagram |
3/9
Registration is Now Open for the Future Fusion Workshop Series

Join a workshop series designed to explore the intersection of art, branding, and creative technology, led by Maria Gyarmati. Gain practical skills, learn from real-world case studies, and work with industry tools.

What You’ll Learn:

	•	Art as Branding Identity – Insights from Gucci and Absolut Vodka campaigns.
	•	AR and Interactive Experiences – Create AR campaigns using tools like Lens Studio.
	•	Video Storytelling – Develop brand narratives inspired by Nike and Apple.
	•	AI for Creative Inspiration – Use AI tools like Midjourney to enhance your work.

Details:

	•	Location: Kastner Community, centrally located and creatively inspiring.
	•	Dates: January 13, 20, 27 & February 3 (18:30–20:30).
	•	Participants: Limited to 40 seats.
	•	Fees:
	•	6000 HUF per session (online booking)
	•	7000 HUF per session (cash on the spot)
	•	22,000 HUF for the full course (non-refundable)

How to Register:
Sign up via the link in bio or scan the QR code in the image.

Secure your spot and get started on transforming your creative and branding skills.

#FutureFusion #ArtAndBranding #CreativeTechnology #BrandStorytelling
Registration is Now Open for the Future Fusion Workshop Series

Join a workshop series designed to explore the intersection of art, branding, and creative technology, led by Maria Gyarmati. Gain practical skills, learn from real-world case studies, and work with industry tools.

What You’ll Learn:

	•	Art as Branding Identity – Insights from Gucci and Absolut Vodka campaigns.
	•	AR and Interactive Experiences – Create AR campaigns using tools like Lens Studio.
	•	Video Storytelling – Develop brand narratives inspired by Nike and Apple.
	•	AI for Creative Inspiration – Use AI tools like Midjourney to enhance your work.

Details:

	•	Location: Kastner Community, centrally located and creatively inspiring.
	•	Dates: January 13, 20, 27 & February 3 (18:30–20:30).
	•	Participants: Limited to 40 seats.
	•	Fees:
	•	6000 HUF per session (online booking)
	•	7000 HUF per session (cash on the spot)
	•	22,000 HUF for the full course (non-refundable)

How to Register:
Sign up via the link in bio or scan the QR code in the image.

Secure your spot and get started on transforming your creative and branding skills.

#FutureFusion #ArtAndBranding #CreativeTechnology #BrandStorytelling
Registration is Now Open for the Future Fusion Workshop Series

Join a workshop series designed to explore the intersection of art, branding, and creative technology, led by Maria Gyarmati. Gain practical skills, learn from real-world case studies, and work with industry tools.

What You’ll Learn:

	•	Art as Branding Identity – Insights from Gucci and Absolut Vodka campaigns.
	•	AR and Interactive Experiences – Create AR campaigns using tools like Lens Studio.
	•	Video Storytelling – Develop brand narratives inspired by Nike and Apple.
	•	AI for Creative Inspiration – Use AI tools like Midjourney to enhance your work.

Details:

	•	Location: Kastner Community, centrally located and creatively inspiring.
	•	Dates: January 13, 20, 27 & February 3 (18:30–20:30).
	•	Participants: Limited to 40 seats.
	•	Fees:
	•	6000 HUF per session (online booking)
	•	7000 HUF per session (cash on the spot)
	•	22,000 HUF for the full course (non-refundable)

How to Register:
Sign up via the link in bio or scan the QR code in the image.

Secure your spot and get started on transforming your creative and branding skills.

#FutureFusion #ArtAndBranding #CreativeTechnology #BrandStorytelling
Registration is Now Open for the Future Fusion Workshop Series Join a workshop series designed to explore the intersection of art, branding, and creative technology, led by Maria Gyarmati. Gain practical skills, learn from real-world case studies, and work with industry tools. What You’ll Learn: • Art as Branding Identity – Insights from Gucci and Absolut Vodka campaigns. • AR and Interactive Experiences – Create AR campaigns using tools like Lens Studio. • Video Storytelling – Develop brand narratives inspired by Nike and Apple. • AI for Creative Inspiration – Use AI tools like Midjourney to enhance your work. Details: • Location: Kastner Community, centrally located and creatively inspiring. • Dates: January 13, 20, 27 & February 3 (18:30–20:30). • Participants: Limited to 40 seats. • Fees: • 6000 HUF per session (online booking) • 7000 HUF per session (cash on the spot) • 22,000 HUF for the full course (non-refundable) How to Register: Sign up via the link in bio or scan the QR code in the image. Secure your spot and get started on transforming your creative and branding skills. #FutureFusion #ArtAndBranding #CreativeTechnology #BrandStorytelling
2 weeks ago
View on Instagram |
4/9
Get Ready for Future Fusion: Registration Opens Soon! 

Exciting news! We’re gearing up to open registration for the Future Fusion: Art, Branding, and Creative Technology workshop series in the Kastner Kommunity.

🌟 What’s in Store:

	•	Art as Branding Identity: Discover how iconic brands like Gucci and Absolut Vodka use art to stand out.
	•	AR and Interactive Experiences: Learn to craft immersive campaigns with tools like Lens Studio and Unity.
	•	Video Storytelling: Create compelling brand narratives inspired by Nike and Apple.
	•	AI for Creative Inspiration: Explore tools like Midjourney and Canva to elevate your brand’s creative potential.

💻 Where: Kastner Kommunity
📅 When: Starts January 2024
🎟️ Registration Opens Next Week!

✨ Why Join?
This series is perfect for entrepreneurs, marketers, and creatives looking to transform their branding strategies. With hands-on practice, real-world case studies, and cutting-edge tools, this is your chance to kick off 2025 with a creative edge.

👉 Keep an eye out—registration opens soon!

Let’s make 2025 your most innovative year yet. Stay tuned for updates and be ready to secure your spot!

#CreativeBranding #FutureFusion #ArtInBranding #AIForCreatives #BrandStorytelling
Get Ready for Future Fusion: Registration Opens Soon! Exciting news! We’re gearing up to open registration for the Future Fusion: Art, Branding, and Creative Technology workshop series in the Kastner Kommunity. 🌟 What’s in Store: • Art as Branding Identity: Discover how iconic brands like Gucci and Absolut Vodka use art to stand out. • AR and Interactive Experiences: Learn to craft immersive campaigns with tools like Lens Studio and Unity. • Video Storytelling: Create compelling brand narratives inspired by Nike and Apple. • AI for Creative Inspiration: Explore tools like Midjourney and Canva to elevate your brand’s creative potential. 💻 Where: Kastner Kommunity 📅 When: Starts January 2024 🎟️ Registration Opens Next Week! ✨ Why Join? This series is perfect for entrepreneurs, marketers, and creatives looking to transform their branding strategies. With hands-on practice, real-world case studies, and cutting-edge tools, this is your chance to kick off 2025 with a creative edge. 👉 Keep an eye out—registration opens soon! Let’s make 2025 your most innovative year yet. Stay tuned for updates and be ready to secure your spot! #CreativeBranding #FutureFusion #ArtInBranding #AIForCreatives #BrandStorytelling
3 weeks ago
View on Instagram |
5/9
We finally got our certificate 💫🤍 so now officially I’m excited to announce that our 360-degree immersive video «Snippets 1» won Best Virtual Reality/360º Film at the Barcelona Planet Film Festival!
This project is a collaborative exploration of poetry, dance, and digital art, combining the unique talents of a poet, a dancer, and myself as co-director and AI artist. I had the privilege of filming, building the video, and generating the soundtrack, pushing the boundaries of immersive storytelling.
Proud to see «Snippets 1» recognized on this stage—thank you to my collaborators and the festival!
#VirtualReality #AIArt #360Film #CreativeInnovation
We finally got our certificate 💫🤍 so now officially I’m excited to announce that our 360-degree immersive video «Snippets 1» won Best Virtual Reality/360º Film at the Barcelona Planet Film Festival! This project is a collaborative exploration of poetry, dance, and digital art, combining the unique talents of a poet, a dancer, and myself as co-director and AI artist. I had the privilege of filming, building the video, and generating the soundtrack, pushing the boundaries of immersive storytelling. Proud to see «Snippets 1» recognized on this stage—thank you to my collaborators and the festival! #VirtualReality #AIArt #360Film #CreativeInnovation
1 month ago
View on Instagram |
6/9
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year.

I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead.

On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together.

This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day.

As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy.

The photos are from our recent performance with @alejarh.dance  and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life.

#LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
Life has been full and exciting lately, with plenty of creative projects, family milestones, and personal growth. Right now, I’m writing an article for a design conference about three recent art projects—two of which have already received awards, while the third is still in progress. I’m also working on programs for two upcoming art courses: one with @pragueschool.media and another with @panel_litmag in partnership with @kastnerkommunity . On top of that, I’m starting to think on designing the style and cover for a new book we plan to publish next year. I’m also preparing to return to work at Ericsson, and I’m looking forward to diving into the challenges and opportunities ahead. On the family side, Miro is constantly on the move—running around our flat and keeping us all on our toes. Soon, he’ll take a big step and start nursery. Meanwhile, my older son continues to impress me with his growth, helpfulness, and excitement about the plans we’re building together. This season has also been about focusing on myself. I’m learning to communicate with more patience and clarity, overcoming challenges like my eating disorder, and finding ways to make daily exercise a reality. Progress takes time, but I’m feeling stronger every day. As my maternity leave comes to an end, I’ve been reflecting on all I’ve accomplished during this time. That deserves a post of its own, but for now, this is a quick snapshot of what’s been keeping me busy. The photos are from our recent performance with @alejarh.dance and Miriam Grunwald at the @school_of_disobedience event—a beautiful reminder of how much all these art flows are woven into my life. #LifeLately #CreativeProjects #ArtAndDesign #FamilyLife #PersonalGrowth #MaternityLeave #NewBeginnings #Gratitude
1 month ago
View on Instagram |
7/9
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker  and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family :D Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good.

#RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
It turns out that running is my sport—at this point, I can pretty much say that for sure. I started running about ten years ago and keep coming back to it. Running releases endorphins, so I officially get happier while I’m at it. It’s great, free, and accessible, especially in Hungary’s climate. Yesterday, we had our first run with my son, and later in the evening, an adults-only run with @jenniferdeborahwalker and @pat_rup under an abandoned factory. The organizers, animators, and the whole costume-run idea worked perfectly, especially since Halloween was just recently. Greg was a vampire, I was a ghost, and while only the two of us ran, of course, we dressed up the whole family 😀 Normally, I don’t celebrate Halloween, and I’m not into dressing up, but this time I even got white lenses to set the mood. I’m feeling more and more drawn to a mix of theater and running. Something is stirring in my mind—it feels good. #RunningLife #EndorphinRush #FamilyRun #HalloweenRun #CostumeRun #ActiveLifestyle #HappyRunner #TheaterVibes
2 months ago
View on Instagram |
8/9
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa.
We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life.
The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
We just returned from Minsk, Belarus. I went there with my two children to meet my mom and give the kids a chance to spend time with their grandmother. It’s hard for my mom to travel, but Minsk was easy to reach — neither Hungarians nor Russians need a visa. We spend almost all our time in Hungary, so it was particularly unusual to be in Belarus, hearing Russian, seeing Russian and Belarusian signs, and feeling that Soviet atmosphere. My mom said that everything reminded her of her childhood memories — how Moscow was in the 70s. I can’t judge it overall, but I tried to form my own impression: I visited some contemporary art museums to understand the situation at a level accessible to me. One museum was permanently closed, and another had an exhibition ABOUT AUTUMN. I had the feeling that I was in a film simulation, where everything around me was just scenery, and people were pretending this was real life. The feeling of unreality didn’t leave me, even when our bus back reached the Belarusian-Polish border and turned out to be over a hundredth in line (it takes at least three hours for one bus to pass through). It was night, Greg was stretched out, asleep on the back seat, while Miro insisted that I hold him for three hours straight. I asked if I could step out and put him in the stroller — the bus was standing still anyway. That’s when it dawned on me that we were stuck. The drivers told us we’d be there for at least TWO DAYS. We had a flight from Warsaw to Budapest the next day, and the prospect of spending two days on the bus with a six-year-old and a baby and missing our flight didn’t thrill me. The drivers suggested I take the stroller and the kids, go to the first bus in line, and ask to join. At two in the morning, we walked past hundreds of buses, reached the first one, and they took us in.
2 months ago
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Publications:

Conference “Graphic Design: Traditions and Innovations”, St Petersburg, Russia 2017-2020

Articles:

“Magazine design in pandemic time” 2020

“The challenges in design of literature magazine” 2019

“The Quest for Easy. Ericsson rebranding process” 2018

“Interactive documentary Mine Towns” “Мои города на шахтах” 2017

“Are we free, yet?” Panel magazine 2020